From to , he curated the pavilion of Austria on the Venice Biennial. Retrieved from " https: Retrieved 15 January In his performative actions, he has explored not only the "media" language and body, but also film , video , [3] television , [4] audiotape and interactive electronic environments. Starting in from semiotic and linguistic reflections Austin , Jakobson , Peirce , Wittgenstein , Peter Weibel developed an artistic language, which led him from experimental literature to performance. Views Read Edit View history. Here again he addressed the relation between media and the construction of reality. 
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From on, Peter Weibel consequently developed these reflections further in videotapes as well as installations. His critique of language in all codes served as critique of reality.
Hotel Morphila Orchester
Since Weibel worked as artistic advisor for the Ars Electronicawhich he then headed from until as its artistic director. Peter Weibel followed his artistic aims using a large variety of materials, forms and techniques: Inhe also turned to music. From Wikipedia, the free encyclopedia. Besides taking part in happenings with members of the Vienna Actionismhe developed modphila together with Valie ExportErnst Schmidt Jr.
Starting in from semiotic and linguistic reflections AustinJakobsonPeirceWittgensteinPeter Weibel developed an artistic language, which led him from experimental literature to performance. With his Tele-Actions, which were transmitted by Austrian television ORF inhe extended the limits of the gallery space and examined video technology in its application to the mass medium of television.
From tohe curated the morrphila of Austria on morphil Venice Biennial. Retrieved 22 May ocrhester This page was last edited on 13 Septemberat In the same period, from tohe worked as chief curator at the Neue Galerie am Landesmuseum Joanneum in GrazAustria.
Hotel Morphila Orchester – Schwarze Energie | TROST Records
When graduating from school in he studied French, film, and comparative literature for a year in Paris before transferring to medicine in Vienna inlater changing to mathematical logic aka computer science.
In he orchesterr to study medicine in Vienna, but changed soon to mathematicswith an emphasis on logic. Thanks to this linguistic input into his visual media works, Weibel developed a critical ohtel that turned against society and the media, while investigation virtual reality and other digital art forms.
The Wall, the Curtain Border, the technical terminology also: Beginning of the s he realized interactive computer-based installations. He used the media to liberate men from the burden of the body.
Peter Weibel
Views Read Edit View history. In he turned to music.
In the mids, he explored the possibilities of computer orcbester video processing. By using this site, you agree to the Terms of Use and Privacy Policy.
With his numerous lectures, exhibitions, and publications on contemporary art, media history, media theory, philosophy, and history of science Weibel established himself as a central figure in European media art scene. Retrieved 15 January Retrieved from " https: Raised in Upper Austria he started to study French and cinematography in Paris.
In other projects Wikimedia Commons.
At the beginning of the s, orchrster realized his first interactive computer-based installations with which he, again, thematized the relationship between media and the construction of reality.
As theoretician and curator, he pleaded for a form of art and art history that includes history of technology and history of science.
Here again he addressed the relation between media and the construction of reality.
Schwarze Energie | trost records
In his performative actions, he has explored not only the "media" language and body, but also filmvideo[3] television[4] audiotape and interactive electronic environments. He critically analyzed their function for the construction of reality. In his function as a university professor and director of institutions like the Ars Electronica in Linz, Austriathe Institute for New Media in Frankfurt and the ZKM Center for Art and Media Karlsruhehe influenced the European Scene of the so-called computer art through conferences, exhibitions and publications.
In his lectures and articles, Weibel commented on contemporary artmedia history, media theoryfilm, video art and philosophy.
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